Hollywood Art And Culture Center Announces Three New Art Exhibitions To Run Now Through January 4

Hollywood Art and Culture Center, celebrating its 50th anniversary, announced three new art exhibitions for the fall/winter season. Dennis Scholl: A Day of Four Sunsets and Felice Grodin: Where Do I Go From Here? will be on display from October 18 through January 4, and Brian Reedy: Gothic Pop Prints will be on display from October 18 through November 2 in the main gallery space. An opening reception took place on October 18. On October 19 the Center hosted its Free Arts Day with complimentary admission and a print making workshop with Brian Reedy.

Dennis Scholl, Untitled (Visor), 2024 Acquired Objects And Graphite
Dennis Scholl, Untitled (Visor), 2024 Acquired Objects And Graphite

“We’re thrilled to close out our golden anniversary season with the thought-provoking, evocative art from top South Florida-based multimedia creators,” said Jennifer Homan, executive director of the Hollywood Art and Culture Center. “The Center is committed to providing a dynamic space that brings art to life. These exhibitions offer three distinct visionary interpretations through form, style and approach. We hope audiences of all ages will find something inspiring that resonates with them and sparks conversation.”

A Day of Four Sunsets presents a new body of work by Miami-based artist Dennis Scholl, exploring the poetics of space exploration through assemblages of NASA memorabilia. The exhibition takes its title from astronaut John Glenn’s experience of witnessing four sunsets as he orbited Earth in 1962, evoking themes of time, memory, and the sublime vastness of the cosmos.

Scholl’s work, rooted in the language of historical artifacts and collective memory, arranges space exploration ephemera into compositions structured by the dodecagon — a recurring motif in his practice that represents cyclical time and cosmic order. Over the past decade, he has meticulously gathered NASA-related materials, including mission patches, declassified documents, photographs, and newspaper clippings, integrating them into intricate assemblages that reframe our understanding of humanity’s relationship with the unknown. Scholl’s work gives us an insight into his keen collector’s eye and his skill at design and storytelling. In Untitled (Viking Orbiter II), photographs of Mars captured using surface imaging are arranged in thoughtful compositions. Visitors will find themselves viewing a piece of history transported back to 1969 with the work Untitled (Man on Moon). This exhibition contains more than 14 works of art that immerse the viewer into the history and collective memory of outer space, the universe, and astronauts. From real space food to sculptures created using space gloves, to viewfinders with images of the universe, this exhibition will fascinate science, history and modern art enthusiasts alike.

Felice Grodin, Toroidal Universe, 2025, Freehand Ink On Mylar

Felice Grodin’s architectural training informs her drawings, intricately weaving together elements of imagination, the future, and the past. Where Do I Go From Here? features more than 10 new works, some of which were created during Grodin’s time as a Center 2025 Spring Artist in Residence. With meticulous care and references to ancient civilizations, Grodin renders lines into complex arrangements of circles and curves, creating dynamic three-dimensional forms and exploring the concept of mental boundaries. Her art transports viewers to a psychological realm reminiscent of maps, cities, landscapes, and speculative future worlds. These ink drawings on mylar can sometimes rely on chance, or automatism, liberating not only the creative process, but inviting viewers into the surreal.

Felice Grodin is a visual artist and cultural agent who creates the real from the virtual through experimental and transdisciplinary projects. An artist with a background in architecture, her show Felice Grodin: Invasive Species (2018-present) was the first AR (augmented reality) only contemporary art exhibition in the United States. Her work hovers between the digital and analog realms, creating immersive experiences that have an impact on reality. She lives and works in Miami Beach and received a Bachelor of Architecture from Tulane University and a Master of Architecture with Distinction from Harvard University.

Brian Reedy, Lizzie Borden, 2025, Custom Linoleum Block Print

Gothic Pop Prints by Miami artist Brian Reedy features more than 10 custom linoleum block prints. The Center commissioned Reedy to create a work about Lizzie Borden inspired by Lizzie the Musical, which will be performed October 18 – November 1 at the Hollywood Central Performing Arts Center. In addition to the Lizzie Borden print, the exhibition features the macabre and spooky iconography of hauntings, oddities, and the after-life in an expressionist and graphic style.

Reedy’s woodblock prints combine his eye for graphic design, the skill of European medieval woodcuts and Japanese woodblock prints into modern pop culture masterpieces. Reedy creates modern works of art using the painstaking process of block printing, the craft of hand carving wood blocks to transfer ink to paper. Brian’s expertise in this art form has provided a unique combination of traditional print making with pop-culture iconography and themes.

Founded in 1975, the Hollywood Art and Culture Center is an award-winning nonprofit organization dedicated to showcasing the arts for all ages. Year-round programming, which includes exhibitions, Broadway and summer camps, live theatre, education, documentary films and more, contributes to its continued success as a leading cultural institution that strives to improve connection, communication and well-being through art and cultural experiences. The Center also operates Cinema Paradiso, a 72-seat art-house movie theater as part of its strategic plan to establish programs for emerging and established local filmmakers, and offer workshops for film, sound design, editing, music production, animation and motion design. It also serves as a dedicated space for screenings of first-run independent films.